Hohlwein ludwig biography of williams college

Ludwig Hohlwein

German poster artist ()

Ludwig Hohlwein (26 July in Wiesbaden – 15 September in Berchtesgaden) was a German poster artist, a pioneer of the Sachplakat style.

Hohlwein ludwig biography of williams sisters

Ludwig Hohlwein 26 July in Wiesbaden — 15 September in Berchtesgaden was a German poster artist, a pioneer of the Sachplakat style. He trained and practiced as an architect in Munich before he switched to poster design. Hohlwein was born in the Rhine-Main region of Germany, though he and his work are associated with Munich and Bavaria in southern Germany. There were two schools of "Gebrauchsgrafik" in Germany at the time, North and South. Hohlwein's high tonal contrasts and a network of interlocking shapes made his work instantly recognizable.

He trained and practiced as an architect in Munich before he switched to poster design.[1]

Early years

Hohlwein was born in the Rhine-Main region of Germany, though he and his work are associated with Munich and Bavaria in southern Germany. There were two schools of "Gebrauchsgrafik" in Germany at the time, North and South.

Hohlwein's high tonal contrasts and a network of interlocking shapes made his work instantly recognizable.[citation needed]

Career

A large portion of his work dates to His style usually consists of sharply defined forms, bright colors, a good portion of humor and textured patterns.

By , he had already designed different advertisements.[citation needed]

During World War II, he was a member of the Nazi party and worked closely with Joseph Goebbels and The Ministry of Propaganda and Enlightenment.

Hohlwein ludwig biography of williams wife Ludwig Hohlwein was born in Wiesbaden, Germany , on 27th July, He trained as an architect in Munich. During this period he designed program booklets, invitations and book decorations for the Academic Architects Association. In he moved to Berlin to concentrate on poster design. Holwein was influenced by the work of Lucian Bernhard but as John Clifford pointed out: "While he worked in the poster style that Bernhard had pioneered, the two differed in some important aesthetic ways.

And as an ardent nationalist, indicated by his work for the government during both World Wars, he urged other artists to join the effort when Hitler came to power in [2]

“May the best among us realize fully the significance of what is at stake and their own responsibility, and may we labor creatively and with conviction at the preservation of our cultural civilization and its restoration to perfectly healthy conditions.”

"Holhwein’s posters for Nazi Germany are the most dramatic examples of National Socialist realism."[3]


His work was also part of the art competitions at the Summer Olympics and the Summer Olympics.[4]

Recognition

Poster historian Alain Weill comments that "Hohlwein was the most prolific and brilliant German posterist of the 20th century Beginning with his first efforts, Hohlwein found his style with disconcerting facility.

It would vary little for the next forty years. The drawing was perfect from the start, nothing seemed alien to him, and in any case, nothing posed a problem for him. His figures are full of touches of color and a play of light and shade that brings them out of their background and gives them substance"[5]

References

  1. ^Clifford, John ().

    Hohlwein ludwig biography of williams View upcoming auction estimates and receive personalized email alerts for the artists you follow. Filter by media, style, movement, nationality and activity period. Buy unsold paintings, prints and more for the best price. Charts on artist trends and performance over time, ready to export. Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals.

    Graphic Icons: Visionaries who Shaped Modern Graphic Design. Pearson Education. ISBN&#;.

  2. ^Ciulla, Joanne B.; Forsyth, Donelson R.; Genovese, Michael A. (). Leadership at the Crossroads. ABC-CLIO. ISBN&#;.
  3. ^Boylston, Scott (September ).

    Hohlwein ludwig biography of williams brothers Among the commercial artists working in Germany in the first half of the 20th century, he was without doubt a star: Ludwig Hohlwein of Munich. Even before World War One his expansive and decorative style featured on poster columns throughout the country. Gebrauchsgraphik devoted two special issues to Hohlwein, but there was more to come: In editor Hermann Karl Frenzel brought out an opulent illustrated volume of his colour lithographs and poster reproductions — the first large »coffee-table book« ever to be dedicated to the work of a commercial artist. If not for its characteristic imagery, then always for his distinctive logo placed prominently in the space. For the client, a Hohlwein poster was an image boost, and for the author his signature was self-confident proof of his authorship — Ludwig Hohlwein understood early on how to turn his work into a brand.

    "A Study of Nazi Propaganda".

  4. ^"Ludwig Hohlwein". Olympedia. Retrieved 2 August
  5. ^Weill, Alain, The Poster a Worldwide Survey and History, G K Hall, , ISBN&#;

External links