Brief biography of abraham lincoln
Since making her professional operatic debut at the Latvian National Theatre in Riga as Micaela in Carmen, she has been seen at nearly all of the major theaters of the world, including the Royal Opera House, Covent Garden, Opéra National de Paris, Metropolitan Opera, Teatro alla Scala in Milan, Deutsche Oper Berlin, Staatsoper Berlin, Bayerische Staatsoper in Munich, Opernhaus Zürich and Gran Teatre del Liceu in Barcelona, Vienna Staatsoper as well as many major concert venues.
This season, Pretty Yende returns to the Metropolitan Opera for Les Contes d’Hoffmann.
She will later proceed to making her Puccini debut as Magda in La Rondine, at the Opera de Monte Carlo and wrap up with Le Fille du Regiment at the Bayerische Staatsoper, which will also mark her house debut.
Pretty yende soprano biography of abraham lincoln for kids With her magnetic charm, acclaimed operatic and solo performances worldwide, and a critically lauded discography, South African soprano Pretty Yende has quickly become one of the brightest stars of the classical music world. Two more role debuts will be on the horizon for Ms. On December 7th of , Ms. Yende will make a music appearance singing Amazing Grace at the ceremonial reopening concert of Notre Dame in Paris. Additionally, Ms.The new year Pretty will begin at the Théâtre des Champs-Elysées with a brand-new production and a title role debut in Handel’s Semele, the role that will also bring her back to the Royal Opera House later in the season. At the Teatro Real Pretty will continue her season with yet another role debut as Ismene in Mozart’s Mitriade, Re di Ponto.
Ms. Yende will reprise Lucia di Lammermoor at the Semperoper Dresden and will return to Teatro di San Carlo with La Fille du Régiment. Two more role debuts will be on the horizon for Ms. Yende this season, Lina in Verdi’s Stiffelio at the Dortmund Konzerthaus, and Leonora in Verdi’s Il Trovarote.
Pretty yende soprano biography of abraham lincoln author
Born in Piet Retief, Mpumalanga , [ 2 ] she grew up with two brothers and a sister; the family, also with the grandparents, sang often. Her younger sister Nombulelo [ de ] also became an opera singer. Yende won two prizes in the International Vocal Competition 's-Hertogenbosch : the Prize of the Province of North Brabant, and the Engagement Opera Riga, which gave her the opportunity to take part in the new year concert at the Latvian National Opera in December. Yende accused French border police of police brutality and racial discrimination. She said she was strip searched and held in a dark room with all her belongings taken.On the concert stage Pretty is planned to appear for Barber:Knoxville, Summer of with the Hungarian Radio Symphony Orchestra, a Gala recital at the Vienna Stateopera, a joined concert with Nadine Sierra at the Gran Teatre del Liceu in Barcelona, and a Gala concert at the Théâtre des Champs-Élysée. On December 7th of , Ms.
Yende will make a music appearance singing Amazing Grace at the ceremonial reopening concert of Notre Dame in Paris.
Last season, Pretty Yende returned to the Wiener Staatsoper to star in La Sonnambula. She come back to Paris Opera to appear as Olympia in Les Contes d’Hoffmann; at the Royal Opera House Pretty reprised in Verdi’s Rigoletto.
started with La Traviata performances at the Staatsoper Berlin and a return to the Bayerische Staatsoper as Adina in L’elisir d’Amore. At the Frankfurt Opera Pretty made her role debut in Handel’s Guilio Cesare in Egitto as Cleopatra in the new production directed by Nadja Loschky. Pretty ended last season with another role debut and a title role in Donizetti’s Maria Stuarda, at the Teatro di San Carlo in Naples.
Additionally, Ms. Yende made multiple recital and concert appearances, including Paris, Antwerp, Palermo, Dortmund, Abu-Dhabi, Tokyo, Madrid, Bordeaux, Saint-Denis.
In /23 Pretty appeared at the Paris Opera to star in Romeo et Juliette and The Magic Flute. She made her San Francisco Opera house debut as Violetta Valerie in Verdi’s La Traviata in the new production by Shawna Lucey.
Later on she returned to Wiener Staatsoper to star in the title role in Massenet’s Manon, and as Marie in La fille du regiment.
Biography of abraham lincoln books Perhaps her most historic performance invitation to date will take place on 6 May, when she performs in Westminster Abbey as part of the coronation ceremony for King Charles III, at the invitation of the King himself. The performance is thought to make Yende the first African solo performer at a British coronation, but were it not for a chance encounter with opera on a TV advert, she may never have discovered her talent. Pretty Yende grew up in a family of four siblings, of which she is the eldest. Her father is a businessman and her mother a teacher. Her sister, Nombulelo Yende, is also an opera singer, whilst her brothers also pursue careers as DJs.Pretty reprised the role of Michaela in Carmen at the Staatsoper Berlin. At the Staatsoper Hamburg she made her role debut as Gilda in Verdi’s Rigoletto, and returned to all four heroines Olympia/Antonia/Giulietta/Stella in Offenbach’s Les Contes d’Hoffmann.
On the concert stage, Pretty Yende made her return with the Philadelphia Orchestra at the Carnegie Hall and Kimmel Center performing Mahler's Symphony No.
4 under the baton of Yannick Nézet-Séguin; she also made multiple recital appearances in the places like Kansas, Princeton, Geneva, Naples, Gstaad, Vienna, Festival Auvers-sur-Oise. Additionally, she made a guest apperance in Paris for the annual “Concert de Paris” to celebrate Bastille Day.
On May 6th of , Ms. Yende performed at Kind Charles III Coronation at Wesminster Abbey.
She became the first African solo artist to perform at the coronation of a British monarch. Pretty sang Sacred Fire, a piece written by composer Sarah Class specifically for the occasion, followed by Handel: ‘Oh, had I Jubal’s lyre’ from Joshua and Handel: ‘Care selve’ from Atalanta.
In /22 Ms. Yende returned to Wiener Staatsoper to star as her signature role of Violetta in Verdi’s La Traviata and as Elvira in Bellini’s I Puritani.
She reprised Violetta at the Royal Opera House and performed the role of Norina in Donizetti’s Don Pasquale. At the Teatro di San Carlo, Ms. Yende sang Violetta in Ferzan Özpetek’s production, and delivered a recital with pianist Michele D’Elia. Additionally, she made her debut as Olympia, Antonia, Giulietta, and Stella in Offenbach’s Les Contes d’Hoffmann at Palau de les Arts Reina Sofía.
On the concert stage, Pretty Yende made her debut with the Philadelphia Orchestra performing songs by Richard Strauss under the baton of Yannick Nézet-Séguin.
Biography of john f. kennedy: Pretty Yende OIS (born 6 March ) is a South African operatic coloratura soprano. [1] She has performed leading roles at opera houses internationally, including La Scala and the Metropolitan Opera. She performed at the coronation of Charles III and Camilla.
She joined a star-studded roster for Washington National Opera’s Come Home: A Celebration of Return concert, and she performed two concerts with the Parisian Frivolities, first at the Théâtre Impérial de Compiègne and then at Théâtre des Champs-Elysées. She perform selected arias with the Bohuslav Martinů Philharmonic Orchestra in Czechia.
At the Wiener Konzerthaus, she joined soprano Nadine Sierra for a concert with the Slowakische Philharmonie and conductor Riccardo Frizza.
In /22 Pretty returned to Wiener Staatsoper to star in Verdi’s La Traviata and in Bellini’s I Puritani. She reprised Violetta at the Royal Opera House and performed the role of Norina in Donizetti’s Don Pasquale.
At the Teatro di San Carlo, Ms. Yende sang Violetta in Ferzan Özpetek’s production, and delivered a recital with pianist Michele D’Elia. Additionally, she made her debut as Olympia, Antonia, Giulietta, and Stella in Offenbach’s Les Contes d’Hoffmann at Palau de les Arts Reina Sofía.
On the concert stage, Pretty Yende made her debut with the Philadelphia Orchestra performing songs by Richard Strauss under the baton of Yannick Nézet-Séguin.
She joined a star-studded roster for Washington National Opera’s “Come Home: A Celebration of Return” concert, and she performed two concerts with the Parisian Frivolities, first at the Théâtre Impérial de Compiègne and then at Théâtre des Champs-Elysées. Later she performed selected arias in a recital in Czechia.
In /21 Ms.
Yende made her successful house debut at the Wiener Staatsoper as Adina in L’elisir d’amore and later sang Violetta in Simon Stone’s acclaimed production of La Traviata. She reprised Violetta several times: at the Bayerische Staatsoper in Patrick Bannwart’s production; at the Gran Teatre del Liceu in David McVicar’s production; and at Teatro Massimo di Palermo, marking her much-anticipated house debut.
Ms. Yende returned to the Théâtre des Champs-Elysées to star as Amina in Bellini’s La sonnambula, featuring a new production by Rolando Villazón.
Yende made her highly anticipated house debut at Teatro di San Carlo performing in a special Mozart and Bel canto Gala concert led by Giacomo Sagripanti. She also performed in the Metropolitan Opera’s “New Year’s Eve Gala Live in Concert,” streamed live from the Parktheater in Augsburg, Germany.
Ms. Yende shared the stage with tenor Benjamin Bernheim for a recital with the Orchestre de chambre de Paris, led by Sascha Goetzel. Additionally, she returned to Paris for the annual “Concert de Paris” to celebrate Bastille Day.
In the /20 season, Ms. Yende returned to Paris for two highly anticipated role debuts: Violetta in a new production of La Traviata by Simon Stone, and the title role in Manon, featuring a new production by Vincent Huguet.
On the concert stage, Ms. Yende embarked on a solo recital tour, making stops at Oper Frankfurt, the Opernhaus Zürich, Smetana Hall in Prague, and the Barbican in London, and Carnegie Hall in New York.
Ms. Yende began the /19 season with her return to Barcelona as Elvira in I Puritani.
Pretty yende soprano biography of abraham lincoln Pretty Yende was in the centre of Vienna when she first heard the news that would change her life. This is a once-in-a-century kind of event. Are you sure? Prior to Berlin, she was in Prague — and after Paris? Richard Dennen introduces the unmissable Tatler coronation special in the June issue, on social — and on Tatler.She returned to The Metropolitan Opera as Marie in La fille du regiment, and sang her first Leïla in Les Pêcheurs de perles, receiving critical acclaim from the New York Times: “In the role of Leïla, suppressed erotic longing is sublimated into pure vocalism lavishly ornamented with arabesques and grace notes.” Shortly thereafter, she appeared at the Opéra national de Paris as Norina in Don Pasquale, portrayed her first Amina in La sonnambula at Opernhaus Zürich, and returned to the Bayerische Staatsoper to sing the title role of Lucia di Lammermoor and as Adina in L’elisir d’amore.
Her rise into the global stage includes highlights from her acclaimed Metropolitan Opera debut, stepping in as the Countess Adele in Le Comte Ory; her role and house debut as Marie in La fille du régiment at the Teatro de la Maestranza in Seville; debuts at Opéra national de Paris as Rosina in Il Barbiere di Siviglia, the Gran Teatre del Liceu as Norina in Don Pasquale, with the Los Angeles Opera as Micaëla in Carmen, at Staatsoper Hamburg as Fiorilla in Il Turco in Italia, and her debut at the Theater an der Wien as Countess Adèle.
Additional highlights include Rosina, Adina, the title role of Lucia di Lammermoor, Juliette in Roméo et Juliette, Elvira in I Puritani, Pamina in Die Zauberflöte at the Met; Adina at the Royal Opera House; Lucia at the Opéra national de Paris and Deutsche Oper Berlin; Adina at the Staatsoper Berlin; Pamina at the Grand Théâtre de Genève; Elvira at Opernhaus Zürich; Susanna in Le nozze di Figaro at Los Angeles Opera; Countess Adèle and Musetta in La Bohème at Teatro alla Scala; her role debut as Teresa in Benvenuto Cellini in Paris; and Lucia di Lammermoor in concert at the Cape Town Opera.
Highlights on the concert stage include her Carnegie Hall recital debut with pianist Kamal Khan, with the New York Times acclaiming: “A gracefulness that can seem decidedly divine seems to radiate from Ms.
Yende.” She later returned to Carnegie Hall to join the Metropolitan Opera Orchestra for a performance of Mozart's Exsultate Jubilate and Mahler's Symphony No. 4. Ms. Yende has presented concerts in Switzerland, Spain, Austria, Johannesburg, South Africa, Germany, Italy, the Netherlands and Prague.
In , she released her debut album "A Journey" for Sony Classical, and appeared as the musical guest on several television shows including "The Late Show" with Steven Colbert, "The Wendy Williams Show," and "Good Morning America." She released her second solo album titled "Dreams" one year later on Sony Classical, with Opera Now raving: "South African Yende has a delicious instrument, with a youthful quiver of passion to it, and a wonderfully secure technique."
A graduate of the Young Artists Accademia of the Teatro alla Scala, Yende made her debut with the company in as Berenice in Rossini's L'Occasione fa il Ladro.
In , she became the first artist in the history of the Belvedere Competition to win the top prize in every category and went on to win First Prize in the Operalia Competition in
Other prestigious awards include an award from the South African government ‘The Order of Ikhamanga in Silver' for her excellent achievement and international acclaim in the field of world of opera and serving as a role model to aspiring young musicians and more recently being a recipient of the Italian Knighthood, Ordine Stella d’Italia for her work in building extraordinary relations between Italy and other countries, making her the youngest South African ever awarded this accolade.
In Ms.
Yende has been honored with an ‘Order of Arts and Letters in France’, which is given to "people who have distinguished themselves by their creation in the artistic or literary field or by the contribution they have made to the influence of the arts and letters in France and around the world".
Pretty Yende is represented worldwide by GM Art & Music.